• Boston Common Performances

  • Cancellations

    Weather hotline:
    617-426-0863 (ext. 6)

    Twitter

    Food & Beverages

    • · Vendors available
    • · Personal food & drink welcome
    • · NO ALCOHOL
  • Boston Common Performances

    All's Well That Ends Well performances are free

    ·Rent or bring a chair - rentals $7 + $3 deposit

    ·Reserve a spot close to the stage click here

  • Other Info

    Parking Boston Common Garage

    ·Restrooms available

    ·Bring a blanket to sit on

The Last Will

The Two Gentlemen of Verona

Shakespeare and... Leadership

See Calendar for matinee schedule

The Last Will

Commonwealth Shakespeare Company and Suffolk University present The Last Will, the final installment Distinguished Scholar in Residence Robert Brustein’s trilogy about the life of William Shakespeare.

The Last Will finds William Shakespeare retired at his country home in Stratford after decades of struggle and success in the city of London.

Shakespeare and the Law/Leadership

Presented each season in partnership with the Boston Lawyers Chapter of the Federalists Society and McCarter & English. Shakespeare & the Law features a staged reading of a Shakespeare play (past performances include Othello, The Merchant of Venice and Henry V) performed by local, state and national lawyers, judges and other politicos. The presentation is followed by a panel discussion lead by a moderator.


Tour of the Parks

CSC's touring initiative to local parks. The 2011 summer season features two productions: Shakespeare on Love, a collection of scenes, songs and sonnets from Shakespeare performed by Apprentices enrolled in Summer Apprentice Program, and A Shakespearean Cabaret featuring students from New England Conservatory.


Shakespeare on the Common

A Boston tradition since 1996, CSC has been presenting fully-staged productions of Shakespeare plays free-of-charge to Boston audiences.


Summer Concert Series

Sponsored by New England Conservatory, Commonwealth Concerts is a series of pre-show concerts featuring a wide range of musical stylings before performances of Shakespeare on the Common.


Events

Special events--including our Annual Gala--held throughout the year to raise funds to support all of CSC's FREE programming.

Blog

  • May 29, 2013

    Shakespeare and... Leadership

    • When:

      Wednesday, May 29, 2013 5:30pm

    • Venue:

      The Modern Theatre at Suffolk University

    • Need to know:

      This event is FREE and open to the public. RSVP to dmoore@mccarter.com to reserve your seats.

      Read More
  • Summer 2013

    The Two Gentlemen of Verona

    • When:

      Summer 2013

    • Venue:

      Boston Common

    • Need to know:

      Check back soon for more information!

      Read More
  • February 13, 2013

    The Last Will

    • When:

      February 13 - 24, 2013

    • Venue:

      The Modern Theatre at Suffolk University

    • Need to know:

      Tickets, at $45 on opening and Saturday nights; $40 general; $30 seniors; and $10 students, are available through the Suffolk University box office by CLICKING HERE or by calling 1-800-440-7654.

      Read More

Anonymous Movie Response: Robert Brustein

Columbia Pictures new movie Anonymous has been creating a revived buzz about Shakespeare and the authorship debate.  In response, CSC has asked a few theatre artists and academics to weigh in on the topic. We asked:

1)      What was your first exposure to Shakespeare’s work?

2)      What are your thoughts on who wrote the plays widely attributed to Shakespeare and why?

 

Response from Robert Brustein*

 
What was your first exposure to Shakespeare’s work?

I was first exposed to Shakespeare's works by having to memorize his soliloquies in grammar school. Luckily, I managed to see Olivier's Henry V innumerable times at the age of seventeen, which made me realize for the first time that these speeches were spoken by real human beings. Long live great theatrical productions!

What are your thoughts on who wrote the plays widely attributed to Shakespeare and why?

The notion that Edward Vere, Earl of Oxford, wrote Shakespeare's plays was first attributed to a man appropriately named Thomas Looney. Looney and his lunatic followers have been eager to believe that Oxford wrote Midsummer Night's Dream when he was nine, and was responsible for ten more Shakespeare works after he died out of a conviction that in order to write masterpieces you have to be an aristocrat or a Ph.D. The major proof that William Shakespeare wrote the plays under his name is that (among many other contemporaries) Ben Jonson said he did, and Jonson was the most envious man in England. Surely Jonson would not have loved "the man this side of idolatry" if he was only a poor, ignorant and illiterate player. Attributing Shakespeare's works to other people is a form of grand larceny and should be punished by making the culprit memorize the complete works of Francis Bacon and whatever the Earl of Oxford actually wrote.

*Robert Sanford Brustein is an American theatrical critic, producer, playwright and educator. He founded both Yale Repertory Theatre in New Haven, Connecticut and the American Repertory Theatre in Cambridge, Massachusetts, where he remains a Creative Consultant, and has been the theatre critic for The New Republic since 1959. He comments on politics for the Huffington Post.

Posted 13:36PM on October 24 2011 by Abigail Rollins


Name:

Add a Comment:

captcha


No Comments


']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; ga.setAttribute('async', 'true'); document.documentElement.firstChild.appendChild(ga); })();