• Boston Common Performances

  • Cancellations

    Weather hotline:
    617-426-0863 (ext. 6)

    Twitter

    Food & Beverages

    • · Vendors available
    • · Personal food & drink welcome
    • · NO ALCOHOL
  • Boston Common Performances

    All's Well That Ends Well performances are free

    ·Rent or bring a chair - rentals $7 + $3 deposit

    ·Reserve a spot close to the stage click here

  • Other Info

    Parking Boston Common Garage

    ·Restrooms available

    ·Bring a blanket to sit on

The Last Will

The Two Gentlemen of Verona

Shakespeare and... Leadership

Tour of the Parks

Family Day/Free Fun Friday

See Calendar for matinee schedule

The Last Will

Commonwealth Shakespeare Company and Suffolk University present The Last Will, the final installment Distinguished Scholar in Residence Robert Brustein’s trilogy about the life of William Shakespeare.

The Last Will finds William Shakespeare retired at his country home in Stratford after decades of struggle and success in the city of London.

Shakespeare and the Law/Leadership

Presented each season in partnership with the Boston Lawyers Chapter of the Federalists Society and McCarter & English. Shakespeare & the Law features a staged reading of a Shakespeare play (past performances include Othello, The Merchant of Venice and Henry V) performed by local, state and national lawyers, judges and other politicos. The presentation is followed by a panel discussion lead by a moderator.


Tour of the Parks

CSC's touring initiative to local parks. The 2011 summer season features two productions: Shakespeare on Love, a collection of scenes, songs and sonnets from Shakespeare performed by Apprentices enrolled in Summer Apprentice Program, and A Shakespearean Cabaret featuring students from New England Conservatory.


Shakespeare on the Common

A Boston tradition since 1996, CSC has been presenting fully-staged productions of Shakespeare plays free-of-charge to Boston audiences.


Summer Concert Series

Sponsored by New England Conservatory, Commonwealth Concerts is a series of pre-show concerts featuring a wide range of musical stylings before performances of Shakespeare on the Common.


Events

Special events--including our Annual Gala--held throughout the year to raise funds to support all of CSC's FREE programming.

Blog

  • Summer 2013

    The Two Gentlemen of Verona

    • When:

      Summer 2013

    • Venue:

      Boston Common

    • Need to know:

      Reserved chairs now available!

      Read More
  • July 2013

    Tour of the Parks

    • When:

      July 2013

    • Venue:

      Various locations in Boston

    • Need to know:

      Join us for the Tour of the Parks this July!

      Read More
  • July 26, 2013

    Family Day/Free Fun Friday

    • When:

      Friday, July 26, 2013

    • Venue:

      Boston Common

    • Need to know:

      Join us Friday July 26th for Family Day in conjunction with Highland Street Foundation's Free Fun Friday!

      Read More
  • July 2013

    Free For All Concerts

    • When:

      July 2013

    • Venue:

      Boston Common

    • Need to know:

      Join us in July for Free for All concerts!

      Read More

Words, Words, Words... An Actor's Journey: Weeks 8 & 9

Monday, August 29, 2011

CSC Apprenticeship---Weeks Eight and Nine

Hey guys! So sorry it's taking me so long to turn these posts out. Let's talk about weeks Eight and Nine of the program. This is the time honestly when I was the most exhausted. We had been doing 15 hour days everyday except Mondays, which was the one night a week that I could work, so I would work at a restaurant until 11:30 at the earliest. I am by no means complaining about this at all, just speaking about my experience.

Rehearsals were ending for All's Well That Ends Well and we were opening previews, which was thrilling to say the least! Performing outside to the crowds that came was exhilarating! More on this later!

Weeks seven and eight had us working extra hard in our Voice and Movement classes. We knew that the program was coming to an end, and that we would be needing to fit all the rest of our lessons in the remaining class time we had together.

In Movement, we prepared a "devised" piece, something I have never done before. We began by going through several of Shakespeare's cannon plays and writing down the central themes from them on our white board. Themes like love, betrayal, trickery, insanity, sickness, and jealousy showed up. We then voted on which theme we were most interested in (Trickery) and began to discuss ways to wordlessly depict this theme in a 10-20 minute movement piece for an audience. I was lucky to be elected the "team leader," and I recorded every idea that we threw out there. We used all of our Movement training with Yo-El to create a funhouse and explore Honesty versus Trickery. Our final performance was organic, and inspiring to me. Yo-El has changed my physicality definitely for the better, I feel more connected to my core, and his Breakfast Warm-Up is something that I will be taking with me throughout my career.

Our Voice class had us going through the resonators of the face! This week actually helped me the most in terms of vocal work. I found that the articulators that I normally thought were easy for me to access were not at all. I also found myself a little frustrated that I wasn't "getting it" at first. This probably has a lot to do with my exhaustion, and part to do with me not allowing myself to be opened to the discoveries of the exercises we were doing. Once I realized this, with the help of Christine, I was able to move forward and gain a lot of information about myself as an actor.

In Week Nine, we were fortunate to work closer with some of the actors from All's Well That Ends Well. We worked with Larry Cohen (Lavache in AWTEW) on two days of Improv classes! I had never had someone explain and elaborate on the origins of Improv and the Art of saying YES in improv! Each game we played was that much more fullfilling for the actors and the audience when the improv-ers simply said YES each time and "offer" was made in the scene.

We then worked with Kersti Bryan (Helena) and Olivia D'Ambrosio (Marianna) talking about the business-side of our artistic careers. This was more than helpful. They acted as our mentors, sharing their different experiences in their journeys in the professional world and provided us with invaluable tips and great information about the life of a professional actor in New York City.

Lastly, we worked with Karen MacDonald (The Countess) on any monologue we wanted for an audition workshop. She gave us constructive criticism and helpful tips to ease our audition experiences and to help us prepare for an aspect of acting that will travel with us throughout our careers.

I only wish that we were able to spend more time with these amazingly talented performers and teachers. I think it was a great addition to our program, these master classes and some of my most helpful teaching moments came from the classes, and also in the work we had done with Yo-El and Christine. Saying farewell and acknowledging our amazing experiences at the end of the week was bittersweet, but I know that I have grown so much from them, and I will always be grateful.

Best,

Micah

P.S. Stay tuned for a post on All's Well That Ends Well and the final week of CSC Apprenticeship!

Posted 12:51PM on October 24 2011 by Micah Tougas, CSC Apprentice


Name:

Add a Comment:

captcha


No Comments